He Rejects the Sacred Scriptures as Too Simple, and as Not to Be Compared With the Dignity of Tully

Chapter V.—He Rejects the Sacred Scriptures as Too Simple, and as Not to Be Compared with the Dignity of Tully.

9. I resolved, therefore, to direct my mind to the Holy Scriptures, that I might see what they were. And behold, I perceive something not comprehended by the proud, not disclosed to children, but lowly as you approach, sublime as you advance, and veiled in mysteries; and I was not of the number of those who could enter into it, or bend my neck to follow its steps. For not as when now I speak did I feel when I tuned towards those Scriptures,[1] but they appeared to me to be unworthy to be compared with the dignity of Tully; for my inflated pride shunned their style, nor could the sharpness of my wit pierce their inner meaning.[2] Yet, truly, were they such as would develope in little ones; but I scorned to be a little one, and, swollen with pride, I looked upon myself as a great one.

[1] In connection with the opinion Augustin formed of the Scriptures before and after his conversion, it is interesting to recall Fénélon’s glowing description of the literary merit of the Bible. The whole passage might well be quoted did space permit:—“L’Ecriture surpasse en naïveté, en vivacité, en grandeur, tous les écrivains de Rome et de la Grèce. Jamais Homère même n’a approché de la sublimité de Moïse dans ses cantiques.…Jamais nulle ode Grecque ou Latine n’a pu atteindre à la hauteur des Psaumes.…Jamais Homerè ni aucun autre poëte n’a égalé Isaïe peignant la majesté de Dieu.…Tantôt ce prophète à toute la douceur et toute la tendresse d’une églogue, dans les riantes peintures qu’il fait de la paix, tantôt il s’élève jusqu’ à laisser tout au-dessous de lui. Mais qu’y a-t-il, dans l’antiquité profane, de comparable au tendre Jérémie, déplorant les maux de son peuple; ou à Nahum, voyant de loin, en esprit, tomber la superbe Ninive sous les efforts d’une armée innombrable? On croit voir cette armée, ou croit entendre le bruit des armes et des chariots; tout est dépeint d’une manière vive qui saisit l’imagination; il laisse Homère loin derrière lui.…Enfin, il y a autant de différence entre les poëtes profanes et les prophètes, qu’il y en a entre le véritable enthousiasme et le faux.”—Sur l’ Eloq. de la Chaire, Dial. iii.