Chapter VII. The Systems of Causation Which the More Recent Philosophers Interwove With the Legends Concerning the Gods

[PORPHYRY]

‘”I speak to those who lawfully may hear: Depart all ye profane, and close the doors.”

‘THE thoughts of a wise theology, wherein men indicated God and God’s powers by images akin to sense, and sketched invisible things in visible forms, I will show to those who have learned to read from the statues as from books the things there written concerning the gods. Nor is it any wonder that the utterly unlearned regard the statues as wood and stone, just as also those who do not understand the written letters look upon the monuments as mere stones, and on the tablets as bits of wood, and on books as woven papyrus.’

After such proud boasting by way of prelude, hear how he goes on next to write, word for word:

‘As the deity is of the nature of light, and dwells in an atmosphere of ethereal fire, and is invisible to sense that is busy about mortal life, He through translucent matter, as crystal or Parian marble or even ivory, led men on to the conception of his light, and through material gold to the discernment of the fire, and to his undefiled purity, because gold cannot be defiled.

‘On the other hand, black marble was used by many to show his invisibility; and they moulded their gods in human form because the deity is rational, and made these beautiful, because in those is pure and perfect beauty; and in varieties of shape and age, of sitting and standing, and drapery; and some of them male, and some female, virgins, and youths, or married, to represent their diversity.

‘Hence they assigned everything white to the gods of heaven, and the sphere and all things spherical to the cosmos and to the sun and moon in particular, but sometimes also to fortune and to hope: and the circle and things circular to eternity, and to the motion of the heaven, and to the zones and cycles therein; and the segments of circles to the phases of the moon; pyramids and obelisks to the element of fire, and therefore to the gods of Olympus; so again the cone to the sun, and cylinder to the earth, and figures representing parts of the human body to sowing and generation.’

These are the statements of this wonderful philosopher: and what could be more unseemly than talking, as they do, in solemn phrase about shameful things? Or what more violently unreasonable than to assert that lifeless materials, gold, and marble, and such like, bear representations of the light of the gods, and manifestations of their heavenly and ethereal nature? That these are modern sophistries, and never entered, even in a drearn, into the imagination of the ancients, you may learn, on being informed that statues made of gold, and other material esteemed more precious, were even rejected among the men of former times. Plutarch, at all events, speaks somewhere thus, word for word: [1]