Chapter VIII. The Erection of Carved Images in Old Times

[PLUTARCH] ‘THE making of wooden statues seems to be a primitive and ancient custom, inasmuch as the first image sent to Delos by Erysichthon for Apollo at the time of the religious embassies was of wood; also the image of Athena Polias was of wood, which was set up by the aborigines, and which the Athenians carefully preserve to the present day. The Samians also had a wooden figure of Hera, as Callimachus says:

“No polish’d work of Smilis thou, but plank Untouch’d by chisel, as by ancient rule They made their gods: so Danaus of plain wood Athena’s seated form in Lindus set.” [1]

‘And it is said that Peiras, who first founded the temple of Hera in Argolis, and appointed his own daughter Callithyia priestess, cut down a tall pear-tree from the wood about Tiryns, and formed a statue of Hera. For stone being rough and hard to work, and lifeless, they were not willing to have it carved into a likeness of a deity: and gold and silver they thought to be sickly colours and stains breaking out like bruises from a barren and corrupt soil which had been stricken by fire: but sometimes in sport they made use of ivory also, as a variation in luxury.’

So says Plutarch; and long before him Plato knew well that there is nothing venerable nor suited to the divine nature in gold and ivory, and things manufactured out of lifeless material: for hear what sort of directions he gives in the Laws: [2]

‘The land, therefore, and the household hearth are for all men temples of all the gods; wherefore let no man consecrate temples a second time to the gods. In other cities gold and silver, whether in private houses or in temples, are an invidious possession; and ivory taken from a dead body is not a pure offering; iron also and bronze are implements of war.’

Now I think these passages contain a clear refutation of the physical explanation which was put forward: but let us go on and examine the remainder of it. Hear then how he talks: [3]